Smooth Hound Smith
Smooth Hound Smith is a foot stompin’ American roots duo comprised of “One-Man-Band” Zack Smith (guitars/vocals/foot drums/harmonicas) and Caitlin Doyle (vocals/percussion). Established in 2012, and currently based in East Nashville, TN, they record and perform a varied and unique style of folky, garage-infused rhythm & blues. Using primal foot percussion, complex, fuzzed-out, finger-picked guitar patterns, warbled harmonicas, tasty harmonies and A LOT of tambourine, they are able to create something rugged and visceral- a modern interpretation of early blues, soul, and rock ‘n’ roll music that harkens back to the traditions of hazy front porch folk songs as well as raucous back-alley juke joints.
The duo has traveled over 70,000 road miles, playing over 500 shows in over 30 states in the last two years. They’ve shared the stage with artists such as Robert Earl Keen, The David Mayfield Parade, Matthew Perryman Jones, Charlie Parr, Possessed By Paul James, Shawn Mullins, and more. Their self-titled debut album received “top adds” on Americana Radio in early 2014, as well as garnered attention from media outlets such as Nashville’s independent radio, WRLT Lightning 100, and publications like American Songwriter and RELIX Magazine. Their music has also recently been featured on MTV’s The Real World. They are set to record their second full-length record in early 2015 at Welcome To 1979 Studios with producer Chris Mara at the helm (Jason Isbell, North Mississippi Allstars, Keane), and will be touring heavily throughout 2015.
The Daily Howl
Lightning 100 debuts “Make Your Colors Run” by The Daily Howl on the615.
The Daily Howl encapsulates Nashville’s rising rock scene. Steeped in the Southern swagger only native Nashvillians can radiate and pushing the boundaries of pop music, The Daily Howl interweaves their Southern charm and raucous personalities with rich, harmonically complex pop music.
The band was founded in 2009 by Matthew and Aaron Cates, Kodi Temes, and Blake Burton– musicians intimately familiar with both current and classic rock music. Within their first release The Revolver E.P. are nods to past and present: The lyric of “Make Your Colors Run” echoes 1960s surrealism, the guitar solo calling to mind “Taxman” from the classic Beatles album to which their E.P.’s title makes a nod. The album’s fifth track, “First World Problems,” artfully combines Nirvana’s lyrical irony with lush vocal harmony. “Turn off Your Radio” and “Stoney Bitch” emulate the garage rock revival of the 2000s and incorporate elements of Chess Records era blues. The sound is unashamedly commercial, yet unbelievably raw.
Live, the band pulls no punches. The Daily Howl is easily garnering a reputation as having the preeminent stage show in Nashville, possessing an incomparable energy derived from a decade of close friendship and trust which allows for six foot high scissor kicks and ceaseless spasmodic convulsions. The stage show is interactive and makes the crowd a vital part of the performance.
With their sound, their swagger, and their stage show, The Daily Howl represents Nashville’s music scene at its absolute best.
That’s My Kid is a rock and roll band from Nashville, TN. Lightning 100 is playing their song.
This week the Local Artists of the Week returns with Clemency and the song “Runaways.” See them for FREE at Soulshine Pizza Friday 1/9/15 at 7pm!
The modern Royals started from a digital glitch in the modern struggle to 5ind analog. Far into the ground they search for a 5irm grip on the emotional value of veracity. Like worms and dirt, they lay foundation to a more complex and ruling art in which they consider to be the holy grail of music at whole. Together they 5ind connection to everyday life that the average listener sometimes needs help hearing. Like a baby starling, these songbirds are harmonious with the 5iner things in life.
Photo Credits : Dustin Lewis
South African born singer/songwriter Laura Reed has been making a name for herself globally with her powerhouse vocals, thought provoking lyricism, and captivating performances. Most recently having the honor of singing our National Anthem on more than one occasion at Madison Square Garden. Her musical journey started as a teen, where she played open mics and coffee shops around North Carolina and the South Eastern United States. Her original focus was as a poet and storyteller, however over time Laura developed a strong unique voice that was all her own, an empowering message of Unity, and the experience to translate her message through music. Not to mention being a self taught multi-instrumentalist- most notably wailing and stomping on blues harmonica. Laura toured relentlessly as the front woman of the South Eastern based band, Laura Reed and Deep Pocket, as well as recording and performing with various other projects and artists such as George Clinton, Killer Mike, Karl Denson, The Big Ol’ Nasty Getdown and even Jewel.
Laura is currently based in Raleigh, North Carolina and uses Nashville, TN as a platform for her art; where she garnered a publishing deal with EMI/SONY-ATV as well as winning a NIMA AWARD for “BEST R&B SOLO ARTIST 2014″ and Local Artist spotlight with Lightning 100 Nashville Radio. Laura was encouraged to make the move to Nashville by mentor, former music executive and Grammy award winning producer, Paul Worley (Lady Antebellum/The Band Perry/The Dixie Chicks). It was Paul who introduced Laura to the producer of her upcoming project, “The Awakening”, 2X Grammy award winner Shannon Sanders (India.Arie, Robert Randolph, John Legend).
Laura opted to release the record on her very own label entitled “FIVE FOOT GIANT RECORDS”, with the help of experienced ex-Apple Creative Coordinator Patryk Larney of Hope Tree Entertainment. Read more
Forlorn Strangers is an independent Nashville, TN, based Americana quintet leaning heavily on bluegrass & drenched in four part harmony. Forlorn Strangers is an all acoustic band using guitar, banjo, mandolin, fiddle, upright bass, a stomp box, and some percussion. Our sound is based on the roots of American music, leaning heavily on bluegrass, drenched in four part harmony and added elements from blues, jazz, and some rock & roll. We bring a high-energy set designed to engage listeners and participants in an exciting yet introspective experience.
There was a moment when Steve walked out on stage in Chicago at his sold out, first ever headlining club tour that took his breath away. It had been a long road up to this point, one with empty rooms and unmet expectations, but if you asked him, he wouldn’t change a thing. A handful of odd jobs, hundreds of shows and a thousand songs later, the Pittsburgh native, is three records in with no signs of slowing down. Moakler’s highly embraced album, Wide Open, was released Spring 2014 and follows the success of his previous records, Watching Time Run (2011) and All the Faint Lights (2009). Watching Time Run debuted at No. 1 on the Singer/Songwriter chart and Top 50 on the Overall iTunes® chart.
On the road, Moakler is known to take on a unique touring approach. Last fall, Moakler embarked on the “Hometowns & Campgrounds Tour,” where he hit 40 different cities in 50 days. He revived the concept last month with the “Tailgate Tour,” touring around the country and performing private house concerts. In March, Steve embarked on his first headlining club tour, the “Wide Open Road Tour,” where he hit major cities including his hometown of Pittsburgh, Nashville and a sold-out date in Chicago. The outpouring from Wide Open and the support of his fans all across the country is one of the many reasons why Steve continues to be named one of the leading independent musicians in his genre. His music has been recorded by esteemed artists such as Dierks Bentley, Jake Owen, Kellie Picker, Ben Rector and Matt Wertz, and Moakler has had music featured on a variety of national commercials and networks including MTV, FOX and ABC, among others. It’s hard to believe it has been nearly a decade since his drive into Nashville, but if his career is any indication, Moakler’s on the ride of his life.
Bearheart is a Nashville based band whose song writing and instrumentation often defies the Alternative Country label that is usually assigned to them. Their musical influences range from traditional bluegrass and folk to classic country and Indie Americana rock.
Within the same set, traditional bluegrass instrumentation gives way to lap steel and heavily effected electric guitar, each of which serve the unique and emotional songwriting talents of two Alabamans, lead singer Matthew Leonhardt and multi-instrumentalist Taylor McMillen.
Mobile, AL raised McMillen is a sonic chameleon, jumping between mandolin, guitar, lap steel and occasionally has even been seen playing a length of galvanized chain. Simultaneously, he contributes back up vocals and harmonies, which are a perfect counterpoint to Leonhardt’s clear tenor voice.
In 2007, a chance encounter in a Tennessee university between Nashville native percussionist Chris Barrett and Huntsville, AL born Leonhardt began a long friendship and musical collaboration. Six years later, McMillen and Los Angeles transplant and upright bass player Craig Higgins joined, and Bearheart was formed. Between the addition of Higgins and the driving beats of Barrett, came a solidified rhythm section which filled out the band’s sound to create a well balanced experience. In early 2014, Jon Galletti, on banjo, and Brenna Fitzgerald, on fiddle, joined the ranks, which helped drive Bearheart further toward their bluegrass and folk endeavors.
Since releasing their debut self-titled EP in September 2013, they have been featured on Brite Revolution’s weekly sampler, featured on American Songwriter’s Daily Discovery page, and were selected as one of Nashville’s top 32 bands to participate in Lightning 100’s Music City Mayhem 2014.
Bearheart is becoming well known and loved around Middle Tennessee with new songs that provide an old sense of familiarity.
From a childhood on San Juan island in Washington State and in Jackson Hole, Wyoming, Isaac’s songs all promote a realness that touches on both where he comes from and what stirs the soul.
“Growing up on an island was incredible. Me and my buds would hang on the docks and catch shrimp, build tunnels and forts through the vines in the forest, or help my Mom pick blackberries for her famous jam. It was a magical place. When my family moved to Wyoming, it was a whole new kind of magic… wide open, and big.”
Isaac began learning guitar while attending a small liberal arts college in Spokane where he also played for the basketball team. It wasn’t long before his academic education began to take a backseat to his musical one.
“A good friend in Wyoming had heard a couple of my songs, and he offered to record a demo for me, so I went and recorded six songs. That was my start in music. I started writing songs more proactively from that point on, and I started playing shows. It was an exciting time for me because no one I knew really thought of me as a musician, so there was a lot of ‘What!? I didn’t know you could sing!'”
Isaac took some time to travel landing in several different cities including San Diego, and then Nashville, where he’s lived the last five years.
Boom Forest is the spiritual wailings of John Paul Roney from the automated woods of Tomorrow…..and that’s all we know about Boom Forest. Wanting to know more? Come see Boom Forest at 12th and Porter for a FREE show for Friday Afternoon Live.
Baby Teeth by Boom Forest from Elder on Vimeo.
Everyone is curious to what the Future will bring. Is it honest? Is it urgent? Is it enduring? The Future brings all this and more with their contagious, tightly layered tracks that will force even the most inept soul to cut a rug.
If you fused the dynamic vocal style of Prince with Spoon’s tight minimalist pop hooks and a bit of Arcade Fire’s heights of grandeur, you’d kindle a spark that is the Future.
The indie-pop quartet is made up of brothers, Adam and Jordan Culver, and childhood friend Eric Sadowsky, who left their native North Dakota to pursue their music careers. Picking up Bryan Feece in Bloomington, Indiana, the foursome then settled into the intimate, yet competitive Nashville music scene.
“Being in a band with my brother and two life-long friends is great because we don’t have any problems with ego or arguing. Everyone just wants what’s best for the song,” says bassist Jordan Culver.
Frontman, Adam Culver’s compelling vocal caliber and volatile stage presence is tempered by Jordan Culver’s smooth bass melodies and slow builds. Guitarist, Eric Sadowsky’s artistry provides a sturdy yet delicate touch, reflective of his classic rock and funk influences, while drummer Bryan Feece’s expertise stems from a passion for precision and improvisation of art rock. Together, the Future produces a powerful and engaging listening experience, be it live or from the studio.
“The live shows are like an eruption to me,” says singer Adam Culver. “I don’t know what it feels like for the crowd, but for us it’s all spasm and catharsis. We don’t have any choice in the matter, we have to play these songs like our lives depend on it. Which I guess they do.” The Future plans to release a single each month, which will be available in a limited physical run of 25 artistic handmade covers each. “If one person will sing the song back at me, all is right in the world for those three minutes,” Adam says.
Kink Ador is the rock band of artist and songwriter Sharon Koltick. The singer-bassist-trumpet-blowing empress spent her youth raging along the Indiana highways in a slick Camaro with T-tops. She cruised those highways with no turns, listening at full volume to the folk music of her Midwestern tribe, classic rock and roll. Sharon was raised by two emotional and sensitive scientists who had an obsession with the music of Bob Dylan. This life led to the spiritual awakening of the rocker babe within. The urges inside her heart had to be felt out loud.
Influenced by bands such as The Talking Heads, Queens of the Stone Age, The Police, Lou Reed, PJ Harvey, The Clash, David Bowie, The Dead Weather, Elvis Costello, and Nick Cave, Kink Ador’s music delivers with a driving, straight-ahead clarity hard to find in a post-pop wasteland. Koltick brings a sense of purpose and controlled fury to the fore. Her voice conjures the hiding spirit, both power-packed and expressive.
The band is based out of Nashville, TN, with Michael Kisak on guitar, and Jon Mann on drums, the trio has shared the stage with bands such as Wye Oak, Mona, Chancellor Warhol, Empires, Clinic, and performed at US Festivals CMJ, Summerfest, Oranje, Snowball, and in Canada at CMW and Indie Music Week. In Rome, Italy Sharon has collaborated with Italian composer Andrea Farri and their music has appeared in Italian films and theater productions.
Kink Ador’s latest release “Free World” (2013) produced by Ken Coomer is a righteous ride through the American dream with songs like “Pilgrim Song” a moody soaring anthem which sounds like a Pink Floyd song from the future, with gospel singers on the chorus singing “across the land/across the sea/ some lay above/some lay below.” the lyrics discuss the idea of finding home. The record is also highlighted by the punk riff-rock hyper ballad, “Road to Hell,” which describes the dark downward spiral of love, with cheerful lyrics “with my girls we talk/we love to people watch/when were on the road.” For the latest news go to: http://www.kinkador.com
Since her debut on Season Five of NBC’s The Voice, the name Juhi has rung a bell in many households. Although the show was a major part of her life, the young singer-songwriter does not feel defined by it. Rather, it gave her a fan base to anxiously await the release of her EP. Juhi, born in Norfolk, VA calls Nashville home, and as of February 2014, at only age seventeen, has already released her first EP, Stress Case.
“It all came from a really raw place. All of it has a spur of the moment kind of feel. When people listen to it, I want them to feel that genuineness. The cool thing about music is that lyrics are kind of like poetry, meant to be interpreted however people want to. I want them to listen to the words with the music and translate their feelings into the music off the EP.” – Juhi
Vinyl Thief drinking coffee
Since their 2010 release of the Control EP – followed by singles White Light (2011), Rebel Hill (2012) and latest Smooth (2013) – they have garnered much attention from Nashville and fans beyond. Grayson hasn’t found his favorite track on the album yet but he said he knows it will happen once they begin playing it live.
“I am really proud of the entire record though, front to back. There’s a lot of heart and soul laid out pretty clearly. It goes through loss, avoidance, and acceptance, in a lot of different forms. We’re trying to get it out as soon as possible.” – Grayson
So, with much anticipation we wait to bath in the pool where Vinyl Thief’s distinct sounds and creativity have collected. In the meantime, Lightning 100 has helped us to revel in older tracks, especially as they gave the featured artist of the week extra air time and made plenty of “Smooth” picks for local audiences.
“Lightning 100 is no doubt one of the biggest influences on Nashville’s music culture. If you look at how big the crowds were at Live on the Green this year, there’s no doubt about that. High five on that one Lightning!” – Grayson
There’s also no doubt that Nashville is loving these guys for what they’ve made together, but each member of the band brings a unique something that makes the whole thing work. To say the least, Vinyl Thief is one energetic, diverse compilation of kindred spirits.
Grayson – Singin’, dancin’, and synthesizin – “I grew up in Texas. I wasn’t country enough for Texas, so I moved to Nashvillle… smart thinking. My mom and I shared a love for anyone with a serious voice and a serious attitude: Steven Tyler, Celine Dion, Michael Jackson, and the like. She had Toys In The Attic by Aerosmith on vinyl, but we didn’t have a record player because it was the 90′s and that wasn’t cool anymore/yet. But I had it in my room and would listen to the tape while looking at the record.”
Logan – guitars – “I grew up going to see KISS with my dad one month, and then seeing U2 the next. If that doesn’t make you want to be a musician, who knows what will. I would listen to records on repeat, while reading a book about the record I was listening to.”
One of Nashville’s most exciting emerging acts, Future Thieves, comprised of Elliot Collet (vocals and rhythm guitar), Gianni Gibson (drums), Nick Goss (bass), Stan Nickell (lead guitar) and Austin McCool (lead guitar) formed in the fall of 2013. The American rock band can trace their beginnings to previous endeavors between Collet and Nickell, who played an Americana/blues style focused around Collet’s singer/songwriter mentality. After moving to Nashville, the two teamed up with McCool and Goss to form a sound influenced by classic rock and big indie rock. Gibson then joined on and meshed immediately as the group began rehearsing and writing.
Collet, a coal miner’s son from Kentucky, teamed up with the heavily blues influenced Nickell after running live sound for numerous artists and traveling to play shows in and around Nashville. Before moving to Tennessee with Nickell, Collet graduated with an audio engineering degree in Lexington, KY. Nickell’s blues background comes from a similar small town upbringing where his father’s taste in music led Stan to create his own style of guitar phrasing while developing a love of guitar repair and technical work.
Photo by The Lady & Rock
After studying music at Millikin University, the pieces began to fall in place and Stacey’s musical career took her on travels to Italy, China, and throughout the USA, only to find herself settling down in Music City.
In the summer of 2011, Stacey recorded her debut album Steady Rhythm. Indie Music Reviewer writes, “Every song on the album is memorable and catchy. After one listen you will be left feeling enchanted and re-energized. Her vocals are warm and inviting, gentle yet hearty. Steady Rhythm is an eleven- song remedy guaranteed to bring some sunshine in your life.”
American Songwriter writes, “Stacey Randol is a pop artist that sprinkles in some folk for good measure. Her influences span the past and present, a list including Paul Simon, Fleetwood Mac, Harry Nilsson, Vampire Weekend, Beach House, and Brandi Carlile. All great American songwriters, we see “Fragile Forest” channeling Carlile in the best of ways, both lyrically and musically.”
Stacey’s second album Fables was released February 2014. Fables was recorded in a home studio and takes a different approach than the first album. After listening to Fables, Randol hopes the album takes the listener on a relatable journey, where they are not bored with one particular sound or subject. Chuck Dauphin with Music News Nashville compares her style of song to the melancholy sadness of Orbison and writes, “At the end of the day, I don’t really know how to categorize this music – other than simply say it’s good. It’s a little bit of everything stylistically, and will keep you guessing what is coming next from track to track, but Randol is definitely onto something, and that is very evident!”
Safe in Blue is the music of going home. Like Coldplay and Death Cab, Safe in Blue strives for lyrical heartfelt poetry and strong melodies. A few years ago, South African musician Vian (like ‘neon’ with a ‘V’) went backpacking through Europe and Africa. A giant green bag, his brother, and a small travel guitar were all that accompanied him. As he sat on the cliffs of the Mediterranean drinking wine and watching the moon glide over the water, he wrote of home, of love, and of all the bittersweet things. Africa brought about early morning coffee in remote savannah bungalows. With the coffee came the rain and more songs about the rain, history, and memories.
As soon as Vian returned he shared his music with multi-instrumentalist Phillip Englehart. The two clicked as Phillip helped Vian finish the writing process. After narrowing all the songs down to the ten favorites, the boys invested in a studio on the historic Music Row in Nashville TN. From November 2012 they disappeared into their new creative space to self-record and produce the album. Inviting Grammy winning friends and veteran session musicians on board, Safe in Blue watched the songs come to life.
Safe in Blue released Song I Believe In, their first single, with a music video depicting the duo being showered with colored powder on September 3, 2013. Three days after it’s release Coldplay, ironically, featured the video on the Hypnofeed: A part of their website dedicated to things they think are cool. The Hypnofeed kept Song I Believe In up for three days. Safe in Blue rode the momentum of this honor by booking live shows in Nashville. The album was released and a few weeks later Marble Floors, the second song on the album, was licensed to Restoration Hardware stores nationwide.
After some local and national exposure, the duo asked three good friends to flush out a live set for future gigs. These three guys took the music from the album to a whole new level with their musicality. Paul Fenner, the drummer, first learned the drum parts exactly as they were played on the album. Phillip and Vian neglected to tell him that some of the tunes had more than one drum take making some of the beats quite impossible to play as a single drummer. Somehow Paul figured out a way to do it. He has since improved and put more power behind the beats. Chris Bates assisted as bassist. He likewise has made the rhythm section come to life by adding little melodic flourishes and powerful starts and stops. He seems to recognize the importance of both playing and not playing to build suspense.
The Whistles and the Bells is the redirection of artist Bryan Simpson. The forthcoming eponymous debut was engineered by multi-Grammy winner Vance Powell (Jack White, Chris Thile, Keb Mo, Jars of Clay). Tune in all week to hear “Mercy Please” on 100.1 FM.
Farewell Flight is an independent, melodic indie-rock band, originally from the heart of Central Pennsylvania; living what at times feels like a Bruce Springsteen song: where farm boys and sons of blue collar factory workers abandon college pursuits and steady jobs to chase down the dream of rock stardom on a level that no musician ever openly admits to. Alternating between guitar and piano, singer Luke Foley is joined by lead guitarist Rabbit Campbell, and drummer Caleb Allensworth. The band strives to impact a wide audience with intelligent, relatable lyrics fused by smart song structures; often evoking the response from listeners, ‘How is this not already a song?’ These anthems of personal failure and redeeming triumphs are presented with an impassioned and sweeping live performance that resonates with any crowd, especially if they’ve had a few drinks.
Recently named one of AP magazine’s 100 Bands You Need To Know In 2012, the group embodies the spirit of true traveling musicians, having played over 700 shows from coast to coast over the last six years and 29 tours of their existence. Through their music and lyrics, the band brings accessible songs with an anthemic flavor that play like the cinematic soundtrack of a movie, featuring the highs, lows, anguish, ecstasy and sometimes boredom of a life lived by normal, average people. Drawing from personal experiences to which almost anyone can relate, they appeal to a wide variety of dedicated fans; from grizzled middle-aged alcoholics, to teenagers in angst, to hipster taste-making bloggers, but most especially to those going through a quarter-life crisis. Currently, the band is resides in it’s favorite town in America: Nashville, TN.
After a successful Kickstarter campaign, the band was able to independently fund, record and release I Was A Ghost; a 30 minute soundtrack tinged with nostalgia and memories of what once was, as interpreted by Luke Foley. I Was A Ghost is the highly anticipated follow up to the critical darling, Out For Blood. I Was A Ghost is, in singer-songwriter Foley’s words, ‘either the greatest or last or next album we’ll ever make.’
Juliana is a coffee-drinking, cat-loving, toe-tapping, bird-chirping wordsmith who is handy with the guitar and tickling the ivories…..and now she is on Lightning 100! Tune in all this week to hear “Red Hot Blues” by Juliana. Originally hailing from Upstate New York, she now calls Nashville, TN home. She is on the musical adventure of a lifetime and is glad to have you and your ears on board for one hell of a ride.
No one knows much about Sexx (band) at Lightning 100….because they forgot to send us a bio. Tune in to hear “Surf City” all this week on 100.1 FM and come check them out at Pour House this Friday.
Lightning 100 debuts “Spitfire” by INTL on 100.1 FM. It’s been nearly one year since fans have heard from the ground-breaking alternative rock outfit INTL, the band has emerged. Teaming up with young hungry producer, Joshua Niles, INTL is proud to announce the release of their single, “Spitfire.”
After releasing their self-titled EP in 2011, INTL went on to release several singles, new material, score multiple spots on several national television shows, and successfully preserver through a name change. This past year the band teamed up with Grammy Award-winning producer, Vance Powell, to promote Universal Audio’s interface, Apollo 16. The band hid away in an effort to master a new and authentic sound. “Our goal and our hope as musicians is to speak truth and enter conversation with anyone who listens,” lead singer Kaleb Jones confesses.
Individually, INTL’s four members are incredibly talented, but collectively, their musicianship and influence is undeniable. Their ingenuity comes through in the distinct brand of rock they have carefully developed over the past few years. INTL has cultivated a sound all their own, a sound that allows them to stand out in a city full of fellow creatives. Tune in all this week to hear “Spitfire” by INTL on Lightning 100.
You can also preorder the album now and receive the record before anyone else
Casio America, Inc. and radio station Lightning 100 have once again teamed up for a partnership promotion in conjunction with the Summer NAMM show in Nashville, TN, which takes place July 17-19, 2014.
Casio and Lightning 100 will facilitate a giveaway and other on-air promotions, culminating with a live broadcast from the floor of the Summer NAMM show at the Nashville Music City Center on Friday, July 18 from 11am – 1pm. Listeners can tune in to Lightning100 at 100.1FM in Nashville or worldwide at lightning100.com. The broadcast will include live, in-booth interviews and performances from Daniel Ellsworth and Marie Hines.
Later that evening, Casio and Lightning100 will sponsor a live music event at Nashville venue The Pour House (730 8th Ave S) from 7pm – 10pm. Open to the public and free, admittance to the event is on a first come, first serve basis. Showcasing some of Nashville’s best talent, the event will feature popular artists Marie Hines, Tom Brislin and Daniel Ellsworth and the Great Lakes, and spotlight Casio‘s Privia Pro PX-5S keyboard.
“Lauren Farrah is a singer-songwriter currently living in Nashville, Tennessee. Let us first put special emphasis on the “singer” half of that title, as Farrah was gifted with a truly lovely voice, a warm velvety alto, as rich as chocolate, as smokey as bourbon. The skill she’s acquired in wielding such a voice is no less striking. Farrah’s singing is passionate with an expressiveness ranging from vulnerable, to commanding, to haunting, permiated by a sweet, nameless sadness.Her tone is that of intense sincerity and earnestness. Certainly she can be playful, but even at play there is a gravity, a certain seriousness, underscoring each line.
The songs and their treatments are kind of a nouveau-Americana fare, with certain overtures toward pop. The arrangements evoke the sense of raw space, the crossing of vast tracts of eart. Across these distances, each instrument calls out, a cry as catchy and melodious as it is mournful.
Farrah has described herself as “just a girl who’s trying to figure out the ‘why’s’ of life.” But, in truth, her writing shows her to be at least equally preoccupied with life’s “how’s” and “ought’s”. Farrah’s songs portray a deep concern with morality, dignity, and integrity. Thesse are brought to the fore by various situations and crises of the soul which challenge and threaten to annul them. Indeed, the many vicissitudes of life- interpersonal struggles, the steady receding of youth and innocence, dissapointment, betrayal despair- make their villainous cameos, while waylaying our heroine in her quest for the ideal. But even in her puzzlement, even when she is lost, Farrah retains the faith of a seeker, if only by the earnestness of her search, the continual grasping for meaning. Like a true pilgrim, she is unswervingly devoted to her
destination, to her ideal. Each doubt, each dissapointment, each dark night of the soul turns out not to be a roadblock, but a signpost, a mileage marker on the road to glory.”
“Great Expectations” is Lauren’s debut EP on River Jones Music label, and is now available on iTunes, and Amazon worldwide!