Nashville Concert Calendar

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Nov
1
Sat
Music of Queen @ Schermerhorn Symphony Center
Nov 1 @ 8:00 PM – 11:00 PM

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All your favorite Queen hits: “Bohemian Rhapsody,” “We Will Rock You,” “Fat Bottom Girls,” “Another One Bites the Dust,” “Crazy Little Thing Called Love” and more. A night of high-energy fun and incredible music! The talented vocalist and performer Brody Dolyniuk will blow you away with his spot-on Freddie Mercury sound and theatrics. You may have heard Brody’s vocal talents on the mega-hit video game Guitar Hero III: Legends of Rock.

Don’t miss our special Halloween night of festivities. Learn more below!

Nov
2
Sun
Nashville Sunday Night Presents: Roadkill Ghost Choir w/ Desert Noises @ 3rd & Lindsley
Nov 2 @ 8:00 PM – 10:00 PM

79_EdpEmerging fully-formed from the desolate heart of Central Florida, Roadkill Ghost Choir make unsettling, powerful American rock, Tom Petty by way of Radiohead and Cormac McCarthy. Set against Kiffy Meyer’s ghostly steel pedal, singer and main songwriter Andrew Shepard triumphantly conjures an allegorical American landscape of drifters, specters and violent saints. Andrew’s brothers Maxx (drums) and Zach (bass) Shepard round out the rhythm section, and Stephen Garza handles lead guitar.

The band released their debut EP ‘Quiet Light’ in 2013 in the midst of a touring run that saw them opening for Band of Horses and 2013 festival slots at New York’s Governor’s Ball, Austin City Limits and Shaky Knees in Atlanta, GA. In January 2014 the band was invited to perform on the David Letterman Show, where they performed standout track “Beggar’s Guild.” Their debut full-length, “In Tongues,” recorded in Athens, Georgia and in their home studio in Deland, Florida with producer Doug Boehm, will be out August 19. The band will be touring supporting the new album, including stops at Bonnaroo and Lollapalooza.

Nov
4
Tue
The New Pornographers with special guests The Pains of Being Pure at Heart @ Cannery Ballroom
Nov 4 @ 8:00 PM – 11:00 PM

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The New Pornographers are A.C. Newman, Blaine Thurier, Dan Bejar, John Collins, Kathryn Calder, Kurt Dahle, Neko Case and Todd Fancey.

Since their debut in 2000, The New Pornographers have released five studio albums including their most recent, Together (2010), of which, NPR Music praised, “Unimpeachable pop gems…these are the songs of summer” while ELLE magazine asserted, “The New Pornographers have done what all great bands do: Evolve…unpretentious and unbelievably infectious” and the Associated Press heralded, “…Together finds them at their peak. The melding of Newman’s voice with Neko Case and Kathryn Calder is endlessly inventive, weaving in and out of the nervous-sounding rhythm that is the band’s calling card. The first four songs are what the Electric Light Orchestra meant to achieve but never quite did.”

Brill Bruisers (available on August 26, 2014) is the first new release in four years from the acclaimed supergroup, who have been called, “virtually peerless in the world of power-pop and indie-rock” by NPR Music. Additionally, the New Yorker describes the band’s music as, “…magnificent and clever…,” while Stereogum proclaims, “In recent history, no group has featured so much formidable established talent, collaborating on a regular basis.”

Of the new album, lead-singer and main songwriter AC Newman comments, “This is a celebration record. After periods of difficulty, I am at a place where nothing in my life is dragging me down and the music reflects that. We wanted Xanadu and we wanted Sigue Sigue Sputnik, which translated into sparklier and fast

Nov
6
Thu
Jukebox the Ghost with Mikes Mains and the Branches @ Exit/In
Nov 6 @ 8:00 PM – 11:30 PM
Jukebox The Ghost | 10:45 PM
Born in 1857 in Cincinnati, Ohio, into the powerful Taft family, Taft graduated from Yale College in 1878, and later graduated from Cincinnati Law School in 1880. After his graduation from Cincinnati Law School, Taft worked in a number of local legal positions until being appointed a judge to the Ohio Superior Court in 1887. Taft was then appointed Solicitor General of the United States in 1890 and a judge on the United States Court of Appeals for the Sixth Circuit in 1891.

In 1900, President William McKinley appointed Taft Governor-General of the Philippines. In 1904, President Theodore Roosevelt, then a political ally of Taft, appointed Taft Secretary of War in order to groom Taft as his successor to the presidency.
Riding a wave of popular support of President, and fellow Republican, Theodore Roosevelt, Taft won an easy victory in his 1908 bid for the presidency. In his first and only term, President Taft emphasized trust-busting, civil service reform, strengthening the Interstate Commerce Commission, improving the performance of the postal service, and the passage of the Sixteenth Amendment as part of his domestic agenda.

Abroad, Taft sought to further the economic development of undeveloped nations in Latin America and Asia through the method that he termed “Dollar Diplomacy.” However, Taft often managed to alienate his own key constituencies, and was overwhelmingly defeated for a second term in the president election of 1912.
After leaving office, Taft spent his time in academia, arbitration, and seeking world peace through his self-founded League to Enforce Peace. In 1921, President Warren G. Harding appointed Taft Chief Justice of the United States, fulfilling Taft’s lifelong dream. Taft served in this capacity until his death in 1930.

Weighing over 300 pounds on average, Taft was physically the heaviest American president ever elected.[1] Taft is also, to date, the last U.S. president to have facial hair while in office.[1] more >>>

The Cartoons | 9:45 PM
The Cartoons are a rock band bred from the thriving music scene in Bowling Green, KY. Formed by Nashville songwriter Chris Rutledge in 2012 with guitarist Trey Bartley and members of Schools and Morning Teleportation, the band’s first era was marked by their lo-fi LP Emptying the Cup, recorded with SLEEPER/AGENT’s Scott Gardner.

Inspired by Neil Young’s Ditch Trilogy, the songs are raw in production, but undeniably catchy. Rutledge blends confessional verses with tongue-in-cheek quips and pop culture references to craft songs that are as honest as they are unpredictable (they never found John Denver head/or so my buddy Christian said/just chunks of brain and sunshine on the water).

After a brief hiatus, the band reformed in late 2013 with Rutledge, Bartley, Ramona Sudbeck, Jared McKinney, and Joseph Gregory to start work on their second release in Nashville with Michael Vecchio. With an energetic live show that is constantly evolving, and songs that keep maturing, The Cartoons create something special and intimate every performance.

Mike Mains & the Branches | 9:00 PM
Formed in Texas, flourishing in Detroit, this indie rock collective has spent the last few years making waves everywhere around and in between. Following the release of their debut album, Home, Mike Mains & the Branches used their unique sound, captivating live performances, and relentless touring to carve out a firm place for themselves in the hearts of indie rock music fans everywhere.
Spring 2013 brought them an exceedingly successful PledgeMusic campaign in which their fans funded 119% of their $35K goal, to allow them to record their sophomore record, Calm Down, Everything Is Fine. The time-frame surrounding the recording of the new album was by the far the most challenging and most rewarding experience of the bands’ career–between getting their van and trailer stolen, re-recording the entire album, band members coming and going, they truly couldn’t have chosen a more fitting album title. And despite it all, they captured that tension and channeled it– in the form of 11 brand new songs that they are excited to finally share with the world.
In February, the band released Calm Down, Everything Is Fine, which debuted at #15 on the Billboard Top New Artist Albums Chart. New York Minute Mag said it best: “In a time of Bieberesque silliness and hipster pretention, Mike Mains & The Branches are a voice of reason.”more >>>Png
Nov
7
Fri
Friday Afternoon Live: Isaac Hayden @ 12th and Porter
Nov 7 @ 5:00 PM – 7:30 PM

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Lightning 100 invites you to the weekend kickoff party at 12th and Porter and Music City Pizza. Join Wells Adams for Happy Hour from 5:00 – 7:00 pm for drink specials on Blue Moon and some awesome ticket giveaways! Click here to see the artist of the week that will play a free set at Pour House at 6:30pm!  Friday Afternoon Live is sponsored by Sugarlands Distillery CompanyBlue Moon Brewery, and Ditto Music.

Nov
8
Sat
Bela Fleck and Abigail Washburn @ Country Music Hall of Fame
Nov 8 @ 7:00 PM – 11:00 PM

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Béla Anton Leoš Fleck (born July 10, 1958) is an American banjo player. Widely acknowledged as one of the world’s most innovative and technically proficient banjo players,[1] he is best known for his work with the bands New Grass Revival and Béla Fleck and the Flecktones.

 

Abigail Washburn (born November 10, 1977) is an American clawhammer banjo player and singer. She performs and records as a soloist, as well as with the old-time bands Uncle Earl and Sparrow Quartet.

Nov
10
Mon
Chrissie Hynde @ Ryman Auditorium
Nov 10 @ 7:30 PM – 11:00 PM

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Chrissie Hynde has confirmed a 25-date North American tour in support of her critically and commercially hailedStockholm, which debuted in the U.S. Top 40 upon its June release here on Will Travel/Caroline Records.

The first ever album to be released under her own name,Stockholm was heralded by Chrissie’s debut appearances on The Tonight Show Starring Jimmy Fallon and The Colbert Report performing “Dark Sunglasses,” the album’s “cutting, springy first single” (Rolling Stone) that charted in the AAA Top 20. Reaction to Stockholm has been uniformly excellent, with accolades including:

“a worthy addition to a catalog of extraordinary work”
—WALL STREET JOURNAL

“Excellent”
—THE NEW YORKER

“Delicate and sexy… but Hynde can still flash her blade”
—ROLLING STONE

“She’s still the toughest punk rock chick on the planet”
—BUST

“One of rock’n’roll’s great singers.”
—MAGNET

The upcoming tour dates will feature the first live performances of Stockholm material alongside classics spanning Chrissie’s legendary and storied career with the Pretenders.

Nov
11
Tue
Interpol w/ Ray Pila @ Marathon Music Works
Nov 11 @ 8:00 PM – 9:00 PM

33-atlgWith their expansive sound, dark wit, and a flair for the dramatic, Interpol have gone from being one of the New York City’s most talked about new bands to becoming one of America’s most exciting and acclaimed.

Nov
13
Thu
Communion Presents The Soil and the Sun, Count this Penny, and Field Division @ Mercy Lounge
Nov 13 @ 7:00 PM – 11:30 PM
The Soil & the Sun
(Alternative Rock)

the Soil & the Sun is corn-fed, Michigan-made New Mexican Space Music, or Experiential Spiritual Folk. Originating in 2008 as two-piece, the band has … more
Count This Penny
(Alternative Folk)

Count This Penny formed in 2009 when Amanda and Allen Rigell cancelled their cable and picked up a couple guitars. In the time since, they’ve appeared… more
Field Division
(Pop)

Field Division is a Nashville-based folkwave duo whose songs explore the line where dreams and reality blur, where sound waves and stories intertwine…. more
Nov
15
Sat
Lightning 100 presents Jenny Lewis @ Marathon Music Works
Nov 15 @ 7:00 PM – 11:00 PM

61-atlg Jenny Lewis is one of the most celebrated and well-respected performers of her generation. Beginning her career in 1998 as the frontwoman of Rilo Kiley, the band rose from the burgeoning independent music community in Los Angeles to become one of the most dynamic and influential bands of the early 2000’s.
In between recording and touring with Rilo Kiley, Jenny contributed vocals to The Postal Service’s debut album “Give Up” (2003) and toured as a multi-instrumentalist with the band.

By 2006, Lewis began her solo career with the album “Rabbit Fur Coat” and soon followed it up with 2008’s “Acid Tongue”, establishing herself as a songwriter moving beyond the confines of indie-rock into more timeless territory once occupied by artists like Laura Nyro and Emmylou Harris. Joe Levy, editor of Rolling Stone remarked that “Jenny Lewis is the best songwriter working today.”
She has collaborated with many other artists and bands, most notably with Elvis Costello, Ryan Adams, T. Bone Burnett and M. Ward. In the summer of 2010, Lewis formed the duo Jenny and Johnny with songwriter Johnathan Rice and released the album “I’m Having Fun Now.”

Jenny recently made her debut as a film composer and music supervisor for the new drama “Very Good Girls” starring Dakota Fanning and Elizabeth Olsen. She and Johnathan Rice have also been confirmed as the songwriting team for the upcoming musical/drama, “Song One”, which will star Academy Award winner, Anne Hathaway.

Nov
16
Sun
Nashville Sunday Night Presents: Bear’s Den with Dan Mangan + Blacksmith @ 3rd and Lindsley
Nov 16 @ 8:00 PM – 10:00 PM
Nov
19
Wed
Phillip Phillips @ Ryman Auditorium
Nov 19 @ 7:30 PM – 11:00 PM

Phillip Phillips

Phillip Phillips

Phillips’ national tour will include a stop in Nashville, TN at the historic Ryman Auditorium on November 19. Tickets go on sale Friday, August 29 at 10 AM. Visit phillipphillips.com/tour for more information.

The comprehensive tour comes after Phillips’ “Behind the Light” (19 Entertainment/Interscope) was released to critical acclaim. His new single, “Unpack Your Heart,” is the second track released from the album, following the hit song “Raging Fire.”

“Behind The Light” is the follow-up to Phillips’ hugely successful debut album, “The World from the Side of the Moon,” which spawned the single “Home” — one of the biggest tracks of 2012 with more than 5 million copies sold. “The World from the Side of the Moon” sold more than 1 million copies and debuted at #4 on the Billboard Top 200 Album chart and #1 on the Billboard Rock Album chart; successful tours both as a headliner and with Matchbox 20 and John Mayer followed. “The World from the Side of the Moon” also featured the platinum single “Gone, Gone, Gone.” Since winning season 11 of “American Idol,” Phillips has sold more than 2 million albums and more than 9 million singles.
Phillips recently co-headlined a 25-city summer tour with O.A.R.

Nov
20
Thu
Lightning 100 Presents Justin Townes Earle with Cory Branan @ Ryman Auditorium
Nov 20 @ 7:30 PM – 11:00 PM

Once compared to a man who wears many suits, in thirty-two short years Justin Townes Earle has experienced more than most, both personally and professionally. Between releasing four full-length-critically-acclaimed albums, constant touring, multiple stints in rehab, a new found sobriety, being born Steve Earle’s son, amicable and not-so-amicable break-ups with record labels, and facing the trials and tribulations of everyday life, it’s safe to say JTE has quite the story to tell. His fifth album (and first ever on Vagrant Records) serves as the perfect platform for such narrations.
Entitled Single Mothers, the album is comprised of ten tracks that showcase exactly why Justin Townes Earle is considered a forefather of Contemporary Americana. As a recently married, sober man JTE writes from a point of maturity and content we’ve not seen before on past records. “One day I just realized it’s not cool to die young, and it’s even less cool to die after 30,” Justin states as he reflects on a life past and his newly found clarity. What he’s created is an album that’s raw, honest and personal in a way he hasn’t touched upon since his debut EP, Yuma.
Co-produced alongside longtime engineer Adam Bednarik, Single Mothers shines in a world of pop-culture driven Americana records. “I don’t really know what Americana means anymore,” Justin laughs. “That’s not a slant on Americana, it’s just become a very unclassifiable genre. It’s gone seemingly pop. There are good parts to that, but it’s getting to a point where it won’t be able to redeem itself if it doesn’t slow down. Just like everything that gets popular.” With his heart and soul still rooted in Nashville, Single Mothers shows Justin’s continued combination of catchy songs and authenticity.
Creating a nostalgic feeling with the return to his signature sound, JTE takes listeners on a journey through some of his most personal stories yet on what can only be described as an authentic country record.
Single Mothers is due out September 9, 2014 on Vagrant Records.

Nov
23
Sun
Nashville Sunday Night Presents: Elenowen with Joseph Lemay @ 3rd and Lindsley
Nov 23 @ 8:00 PM – 10:00 PM

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It’s called ‘chemistry’, an elusive quality that can be part history, part mystery and all intangible until the moment that you feel it. It’s a meant-to-be melding of the emotional and creative that can happen between songwriters, performers, best friends or life partners. For Josh and Nicole Johnson – the duo Elenowen – that connection is all of the above and much more. And on their self-titled EP, the chemistry they share is as rare – and real – as it gets.

 

Though emerging from the same Nashville-based Americana-folk scene as The Civil Wars, Elenowen deliver a sonic glow all their own. Amidst haunting harmonies and elegiac lyrics, their songs flow with an undercurrent of yearning, surrender and unexpectedly sharp edges. “We strive to maintain a certain vulnerability in our music,” Josh says. “We write a lot about our own lives as well as the truths about relationships that we relate to. We think it creates an intimacy that’s totally connected to the music.” The sound itself is roots-driven, with accents of cello and pedal steel cutting a deeply evocative facet. Even the name Elenowen is an authentic nod to heritage, with Ellen being Josh’s mom’s middle name and Owen being the middle name of Nicole’s dad. “They’re the sides of the family we each got our music from,” explains Josh. “What’s in our hearts will always come out in what we do.”

 

But what about that thing called chemistry? For Elenowen, it’s a one-of-a-kind formula that is about to become bigger than the both of them. “I think our chemistry is what keeps us going,” says Nicole. “We fight for it in our marriage, in our friendship and our music. These songs are so much a part of us and the emotion is so real, that every time we sing them its almost as if we’re feeling them for the first time. What Josh and I ultimately want is for people to get inspired and connected by what we do.” And for Elenowen, it’s a promise you can take to heart.

Nov
28
Fri
Lightning 100 Presents Trombone Shorty & Orleans Avenue @ Marathon Music Works
Nov 28 @ 8:00 PM – 11:45 PM

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New Orleans native Trombone Shorty began his career as a bandleader at the young age of six, toured internationally at age 12, and spent his teens playing with various brass bands throughout New Orleans and touring worldwide with Lenny Kravitz. He fronts Trombone Shorty & Orleans Avenue, a funk/rock/jazz/hip-hop band. Together they have toured across the U.S., Europe, Australia, Russia, Japan and Brazil. In 2010, Trombone Shorty released his debut album, the Grammy®-nominated “Backatown,” followed by “For True” in 2011, which topped Billboard magazine’s Contemporary Jazz Chart for 12 weeks. His newest album, “Say That to This,” was released in 2013 and features funk/jazz elements of New Orleans. Trombone Shorty appeared in several episodes of HBO’s “Treme,” and has recently appeared on “The Tonight Show with Jay Leno, Jimmy Kimmel Live,” “Late Night with Jimmy Fallon” and “Conan.” In 2012, he performed at the White House in honor of Black History Month with music royalty such as B.B. King, Mick Jagger, Jeff Beck and Booker T. Jones. At this year’s Grammy Awards, he performed alongside Madonna, Macklemore & Ryan Lewis, and Mary Lambert. In 2012, he received the President’s Medal from Tulane University in recognition of his charitable work with the Trombone Shorty Foundation, which donates quality instruments to schools across New Orleans.

Nov
30
Sun
Nashville Sunday Night Presents: All Them Witches @ 3rd and Lindsley
Nov 30 @ 8:00 PM – 10:00 PM

ATWUnexplained phenomena of all kinds can be attributed to magic. Music is among those marvels. When a group of unrelated individuals of different backgrounds gets together and locks into a sonic unity, there must be some sort of mysticism at work. That’s the only way to properly explain it. The members of Nashville’s All Them Witches would agree too. That energy even courses through their moniker, which unsurprisingly comes from Roman Polanski’s 1968 masterpiece Rosemary’s Baby.

“The name can be interpreted in many different ways,” explains singer and bassist Michael Parks, Jr. “It could be a person’s view on what the forces of good and evil are or even how we interact with each other as human beings. There’s a little bit of witchcraft in everybody’s life. Just waking up is pretty magical—you’re alive another day. In terms of the music, we’re so loose, and that’s where the magic comes from. There’s no controlling factor. We do exactly what comes naturally. We go in a room without any idea about what will happen, get in the groove, and it works. That’s supernatural.”

All Them Witches began conjuring up music together in 2012. Foregoing theater school to focus on songwriting, Parks traded New Mexico for Nashville at 19-years-old. The Shreveport, Louisiana native met drummer Robby Staebler while the two shared a shift at a “corporate hippie store”. Robby showed Parks some music he and guitarist Ben McLeod had written, and it inspired the singer to jam—which he adds, “I usually never do. It made sense though”.

Adding Robby’s longtime friend Allan Van Cleave to the fold on Fender Rhodes, All Them Witches cut their debut Our Mother Electricity. Almost immediately after, they began working on its follow-up 2013’s Lightning At The Door. Recorded live in a matter of days with producer and engineer Andy Putnam, the boys tapped into a distinct energy, mustering bluesy soul, Southern swagger, and thunderous hard rock all at once.

The first single “When God Comes Back” swings from a Delta-dipped groove into a striking riff juxtaposed with Parks’ transfixing delivery. It’s as hypnotic as it is heavy.

“Sometimes, I get visions, for lack of a better word, that lead to songs,” the frontman admits. “I’ll be doing a mundane task at work, walking somewhere in the woods, or driving, and I’ll get these narrative flashes in my head. Personal experiences play into those narratives. This song is about our egos coming to break us down and destroy everything. We try to govern each other and turn the only landscape we have to live in into a parking lot. There’s no room for anybody. So, when God comes back, he’s going to be really mad.”

Ultimately, everything comes back to that certain magic for All Them Witches. “Not to sound too much like hippie, but I hope everybody can ride our vibe,” Parks leaves off. “We’re very simple people doing something we really love. We have such a short amount of time on this earth. Everybody should be doing what they love. If there’s a message here, it’s that.”

Dec
8
Mon
The Black Keys w/ special Guest St. Vincent @ Bridgestone Arena
Dec 8 @ 8:00 PM – 11:00 PM

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The Black Keys will embark on an extensive North American tour this fall. The tour supports the duo’s highly anticipated new album, Turn Blue, which will be released May 13 on Nonesuch Records and is now streaming exclusively on iTunes. In celebration of the release, the band will return to Saturday Night Live for their third musical guest appearance this Saturday, May 10.

This is the eighth full-length album from the duo and follows 2011’s critically and commercially acclaimed El Camino, which is now certified RIAA Platinum. Internationally, El Camino is Gold in Belgium, Spain, Italy and Holland; Platinum in Ireland, France and the U.K.; and double Platinum in Australia, Canada and New Zealand. The record also resulted in three awards at the 55th annual Grammy Awards—Best Rock Performance, Best Rock Song, and Best Rock Album. The band now has a total of six Grammy Awards including three in 2010 for their breakout, RIAA Platinum album, Brothers.

Dec
13
Sat
KOPECKY FAMILY BAND @ Mercy Lounge
Dec 13 @ 9:00 PM – 11:30 PM

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“Family” is a word that encompasses a variety of definitions. With that in mind, let this introduction to Kopecky Family Band be taken with an open mind and with a grain of salt. This family is connected not by blood or by heritage, but by circumstance. No, this is a family bound by the miles on their odometer and by the songs they have crafted over the years. These six young musicians have created a family through their commitment to each other and to their craft. Crack open your dictionary, if you need to.

the Kopecky Family Band – a non-traditional family, at that – is dynamic, and they wield an equally dynamic slew of instruments. Their thoughtful songwriting is supported by a diverse backdrop of sound. And the musical canvas is covered with broad brushstrokes – ranging from clanging tambourines and guitars, booming percussion, intelligent string arrangements, and triumphant horns. These six bandmates – siblings, if you will – swap their musical tools without a second thought, creating an emotive, adventurous, and energetic environment onstage.

In late 2007, founding members Kelsey Kopecky and Gabriel Simon became united with four friends who shared a mutual vision. They planted seeds that have been nurtured for the past five years through persistent touring and recording – and those seeds are rapidly reaching maturity. With thousands of miles traveled, and surely thousands to come, the Kopecky Family Band is only just beginning their adventure – and they want to bring you along for the ride.

Dec
14
Sun
The Head and the Heart @ Ryman Auditorium
Dec 14 @ 7:30 PM – 10:30 PM

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The Head and the Heart’s 2011 self-titled debut album on Sub Pop remains one of the label’s best-selling debut releases. In a few short months, The Head and The Heart went from playing open mic nights to selling out San Francisco’s Fillmore, Seattle’s Paramount Theatre, New York’s Terminal 5 and more, building a loyal fan base across the country and becoming known for providing raucous and energetic live shows. To date, their debut album has sold over 315,000 copies. Since it’s release of Let’s Be Still in the fall of 2013, the band has headlined sold-out tours with stops at Red Rocks, the Hollywood Bowl and appearances at Bonnaroo, Coachella, Lollapalooza and major appearance on late night TV. Let’s Be Still has sold more than 150,000 and is still climbing.

Dec
30
Tue
Old Crow Medicine Show @ Ryman Auditorium
Dec 30 @ 7:30 PM – 11:00 PM

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On September 17, 2013 Old Crow Medicine Show received the great honor of being inducted as the newest members of the historic Grand Ole Opry. Other highlights from the year included winning the Grammy Award for “Best Long Form Music Video” for the film Big Easy Express, and having their classic single, “Wagon Wheel”, receive the RIAA’s Platinum certification for selling over 1,000,000 copies.

The band got its start busking on street corners in New York state and up through Canada, winning audiences along the way with their boundless energy and spirit. They eventually found themselves in Boone, North Carolina where they caught the attention of folk icon Doc Watson while playing in front of a pharmacy. He immediately invited the band to play at his MerleFest, helping to launch their career. Shortly thereafter the band relocated to Nashville for a residency at the Grand Ole Opry, where they entertained the crowd between shows.

It’s been nearly fifteen years since these humble beginnings, and the band has gone on to tour the world, sell over 800,000 albums, become frequent guests on A Prairie Home Companion, and play renowned festivals like Bonnaroo, Coachella, and the Newport Folk Festival.

In 2011 Old Crow found themselves embarking on the historic Railroad Revival Tour with Mumford and Sons, and Edward Sharpe and the Magnetic Zeros. This tour had the bands riding a vintage train from California to New Orleans, playing shows along the way. The magic of this musical excursion across America’s vast landscape is captured in the Emmet Malloy directed documentary, Big Easy Express.

Old Crow Medicine Show now have five studio albums to their name, three of which were released by Nettwerk Records – O.C.M.S. and Big Iron World produced by David Rawlings, and Tennessee Pusher produced by Don Was. In 2012 Old Crow released Carry Me Back, on which they continued to craft classic American roots music while pushing themselves in new directions. The band’s newest album, Remedy, released by ATO Records and produced by Ted Hutt represents a new stretch of road in the timeless journey of a rambling string band.

Dec
31
Wed
Lightning 100 Presents St. Paul & the Broken Bones @ Marathon Music Works
Dec 31 @ 8:00 PM – 11:45 PM

13-atlgGrit, elemental rhythm, tight-as-a-drumhead playing, and a profound depth of feeling:
these are the promises of a great soul band. And St. Paul & The Broken Bones deliver
on those promises.

Half The City is the compelling full-length Single Lock/Thirty Tigers debut of the
Birmingham, Alabama-based sextet, who have already created a maelstrom of interest
with their roof-raising live shows and self-released four-song 2012 EP. Produced by Ben
Tanner of Alabama Shakes, and recorded and mixed in the storied R&B mecca of
Muscle Shoals, Alabama, the album harkens back to the region’s classic soul roots while
extending the form with electrifying potency.

Front man Paul Janeway’s handle “St. Paul” is a wry allusion to the vocalist’s grounding
in the church. Like many a legendary soul singer, Janeway, a native of the small town of
Chelsea, Alabama, was raised on the gospel side, in a non-denominational, Pentecostalleaning
local church. Virtually no non-religious music could be heard in his devout
household. Janeway says, “The only secular music that I heard at all was a ’70s group
called the Stylistics, and Sam Cooke. That was about it. The rest of it was all gospel
music. When I was about 10 years old, I was groomed to be a minister. My goal in life
until I was about 18 years old was to be a preacher.”

He adds, “My pastor was the reason that I learned to play guitar. They would let me play
guitar and sing in church. What was weird was that he would never let me sing lead – I’d
sing background vocals. I always thought, ‘Well, maybe I’m just a good background
vocalist.’ So I never thought I could really, really sing, at all. I never thought it would be a
living, ever.”

Though his time in the church exposed Janeway to key influences in gospel music – the
Mighty Clouds of Joy, Alex Bradford, Clay Evans – he began moving away from his
youthful path in his late teens. He began attending open mic nights in Birmingham’s
clubs and diversified his listening, excited by some decidedly left-of-center talents. “Tom
Waits and Nick Cave were the really big attractions,” he says. “They have that passion.
They’ve built this aura. They’re showmen to the teeth. And that’s what got me – it’s like
going to church, in a weird way. At about the same time, I began listening to the great
soul singers like Otis Redding, James Carr, and O.V. Wright. I was trying to find
something that made my earbuds tingle.”

Seeking his musical comfort zone, Janeway had an incongruous stint in a band that
played Led Zeppelin covers, but, he confesses today, “That’s not what I do.” However,
his early work in the rock vein brought him together with bassist Jesse Phillips. The pair
became close friends and were soon writing together; “Sugar Dyed,” “Broken Bones and
Pocket Change,” and “That Glow,” all heard on Half The City, were among the first fruits
of their collaboration.

The other members of the Broken Bones are all drawn from Alabama’s deep talent pool.
Guitarist Browan Lollar, from the Muscle Shoals area about 100 miles north of
Birmingham, previously played with Jason Isbell’s 400 Unit. “We never thought Browan
would ever be interested in this band – he was too big-time for us,” says Janeway.

“Jesse had met him while he was on tour with another band out of Birmingham. He
asked Browan to come to the studio, and he showed up. I think we caught him at the
right time. He wasn’t busy, and he said, ‘Man, I really want to be a part of this.'”
Jasper, Alabama, native Andrew Lee signed on via his acquaintance with Phillips. “We
just picked him up on the way to the studio,” Janeway recalls. “Jesse said, ‘I know this
guy, why don’t I just call him.’ And 30 minutes later, he’s sitting there playing drums on
‘Sugar Dyed.’ Andrew’s just a hell of a drummer.” Brass players Allen Branstetter and
Ben Griner are both graduates of the music program at Birmingham’s Samford
University. Janeway says his vision of the band always called for a two-man horn
section, a la the celebrated Memphis Horns, and he approached Griner, although the
latter’s main instrument was tuba. “I told Ben, ‘Man, I’ve got to have horns. Do you think
you can play trombone?’ He said, ‘I’ll give it a shot.’ And he brought Allen with him.”
All six members share writing credit on 10 of the songs on Half The City, with Janeway
contributing lyrics. “We firmly believe in a shared, communal writing process,” the singer
says. “These guys are extremely talented. The drummer wrote horn parts. Browan threw
something in. It’s very collective. We just get in a room. Sometimes we’ll have the scales
for a song, or sometimes we’ll have this little riff. That’s how we do it.”

In Tanner — who logged time at Muscle Shoals’ aptly named FAME Studios, where
scores of memorable soul records were cut — St. Paul and the Broken Bones found a
like-minded producer and label boss. Half The City is among the first releases on Single
Lock Records, the imprint co-founded by Tanner, John Paul White of the Civil Wars, and
Will Trapp.

“When we started getting cranked up and nobody really knew who the hell we were, we
got Ben to mix our original four-song EP,” says Janeway. “We just hit it off. He said,
‘Hey, guys, I’m in the process of starting this label. Obviously you can say no, but we’d
love for you to be a part of it.’ And we said, ‘Hell, yeah.'”

Reaching back nearly 50 years to methods employed the great epoch of deep Southern
soul, Tanner and the group eschewed studio trickery for an in-the-moment approach
during sessions at the Nutthouse in Muscle Shoals, AL. Fittingly, the album was mixed at
FAME. Janeway explains, “We said, ‘We’re doing this as old-school as we can.’ We did
it to tape. We did it live. What you hear is taken from about three takes, and we took the
best take. I love it. It’s raw. You hear all the scrapes.” Special guests include Al Gamble
on piano, organ and wurlitzer, Daniel Stoddard on pedal steel, Jamie Harper on baritone
sax and Tanner on piano, organ and background vocals.

Half The City – vital, direct, emotionally affecting – presents the same engaged, highvoltage,
in-the-pocket sound that St. Paul & The Broken Bones produce at their live
dates, where Janeway’s extroverted performing style enraptures his audiences.

“I’m going to be dancing, getting in the aisles, climbing on tables,” he says. “That’s just
the way we do it. It really takes me back to church. There’s not a lot of difference. When
I get on stage, it’s, ‘All right, it’s time to pour it on.'”

Moon Taxi with The Lonely Biscuits @ War Memorial Auditorium
Dec 31 @ 8:00 PM – 11:45 PM

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Moon Taxi: For the members of Moon Taxi, their third album, Mountains Beaches Cities, represents the idea of exploration – searching both the world and themselves for new experiences. The Nashville rock group, who had honed in on a notably compelling aesthetic with their previous album Cabaret, focused on extending the sonic landscape they’d created in earlier recordings, but this time around they amp up the speed and turn up the volume – creating an overall bigger sound.

The album was self-produced by Moon Taxi’s own guitarist Spencer Thomson with the help of keyboardist Wes Bailey and was mixed by Vance Powell (Jack White, The Dead Weather) and mastered by Greg Calbi (Talking Heads, Paul Simon, Fleet Foxes).

“One thing we didn’t want to do was stray too far from what we did before,” Wes says. “We really knew that things for the band had shifted in a good direction and we were growing because of our last record. We wanted to continue the energy we created from that record.”

“Like Cabaret, this project started with rough demos that slowly evolved into a statement from not just the initial songwriter, but evolved into a representation of what each of us individually have experienced in this band and how we’ve grown over the years as players,” Tyler adds. The band, which was founded in 2006, toured extensively in support of Cabaret, appearing at Bonnaroo, Forecastle, and Lollapalooza. Additionally, they have opened for such artists as Matisyahu, Dr. John, and Dirty Heads, and ended 2012 selling out multiple theaters on their own. While on the road, the musicians began to stockpile song ideas and demos, inspired by the trials and tribulations of traveling around the country to play shows. In early 2013, the band went into the studio to begin recording Mountains Beaches Cities with these touring experiences in mind. Much of the recording was done in Spencer’s apartment with only a few days of drum and bass riffs laid down in Nashville’s Sony Tree studio. Although Mountains Beaches Cities feels like an extension of Cabaret’s aesthetic, the new album is explorative, and its lyrics recount a new narrative for the musicians.

Each song on the album, and even the album title, generates its own story and imagery, but all come back to that idea of exploration and searching. “Beaches,” a surging, borderline experimental track Spencer calls “risky and ambitious” transports the listener with its haunting, emotive melody while jangling acoustic song “Young Journey” encapsulates the eye-opening experience of travel. “Morocco,” a propulsive, hooky track about a place none of the musicians have ever been, seeks adventure in the idea of going abroad. The album as a whole is grandiose and invigorating, each track revealing a new chapter in the LP’s overall story. This record, in particular, is important for Moon Taxi, who has been known in the past for its boisterous live appearances, but with Mountains Beaches Cities, it highlights the nearly perfected balance between the recorded material and how it translates to a live stage.

“We made a conscious effort with the last record to write meaningful songs and produce them in an exciting way,” Trevor says. “That is still the ultimate goal. We strive to produce something that will outlast us as a band. I can see this record reaching an even broader range of people because the song themes are universal. ”

The sound of Moon Taxi pulls from the many different facets and interests of its members. Trevor, who got his start in music playing trumpet in school, is driven by his love for reading, cooking and yoga; while Tyler, who spent his younger years jamming on a drum kit with friends, is driven by an immense appreciation and knowledge of pop culture. Spencer, who used to record himself in his parents garage, has transformed his knowledge of film into producing videos for Moon Taxi’s music. Wes, meanwhile, developed his musical process from classical composers like Mozart and spends his time on tour searching for golf courses while Tommy spends his free time going to concerts and carefully following Nashville’s local music scene. “I think the exploration aspect of the album came from trying to understand and explore ourselves,” Tommy says. “Personally and musically. As we get older we tend to know ourselves better, but there is always more to understand. You try new things, but continue some of the good habits you’ve learned. As we explored our music, we learned more about ourselves and matured as a band. I think it’s a concept that won’t stop at this record, but will carry on to our live shows and other records down the road.”

Old Crow Medicine Show @ Ryman Auditorium
Dec 31 @ 9:00 PM – 11:59 PM

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On September 17, 2013 Old Crow Medicine Show received the great honor of being inducted as the newest members of the historic Grand Ole Opry. Other highlights from the year included winning the Grammy Award for “Best Long Form Music Video” for the film Big Easy Express, and having their classic single, “Wagon Wheel”, receive the RIAA’s Platinum certification for selling over 1,000,000 copies.

The band got its start busking on street corners in New York state and up through Canada, winning audiences along the way with their boundless energy and spirit. They eventually found themselves in Boone, North Carolina where they caught the attention of folk icon Doc Watson while playing in front of a pharmacy. He immediately invited the band to play at his MerleFest, helping to launch their career. Shortly thereafter the band relocated to Nashville for a residency at the Grand Ole Opry, where they entertained the crowd between shows.

It’s been nearly fifteen years since these humble beginnings, and the band has gone on to tour the world, sell over 800,000 albums, become frequent guests on A Prairie Home Companion, and play renowned festivals like Bonnaroo, Coachella, and the Newport Folk Festival.

In 2011 Old Crow found themselves embarking on the historic Railroad Revival Tour with Mumford and Sons, and Edward Sharpe and the Magnetic Zeros. This tour had the bands riding a vintage train from California to New Orleans, playing shows along the way. The magic of this musical excursion across America’s vast landscape is captured in the Emmet Malloy directed documentary, Big Easy Express.

Old Crow Medicine Show now have five studio albums to their name, three of which were released by Nettwerk Records – O.C.M.S. and Big Iron World produced by David Rawlings, and Tennessee Pusher produced by Don Was. In 2012 Old Crow released Carry Me Back, on which they continued to craft classic American roots music while pushing themselves in new directions. The band’s newest album, Remedy, released by ATO Records and produced by Ted Hutt represents a new stretch of road in the timeless journey of a rambling string band.

Jan
4
Sun
Nashville Sunday Night Presents: Steelism with Los Colognes @ 3rd and Lindsley
Jan 4 @ 8:00 PM – 10:00 PM

Steelism Los Colognes

Steelism:
It’s a short drive from Nashville, TN, to Muscle Shoals, AL: 125 miles, or about two hours if your foot’s on the leaden side, and you’ve left one musical Mecca for another. Thanks to Nashville instrumental duo Steelism, though, that gap is bridged in the time it takes to listen to a track. Comprised of guitarist Jeremy Fetzer, pedal steel player Spencer Cullum and backed by some of Nashville’s finest young musicians, Steelism blends an eclectic array of vintage and modern influences to create instrumental music that truly sounds like nothing else.

Though Steelism is new to the music scene, Cullum and Fetzer are not, having backed artists like Wanda Jackson, Johnny Fritz, Rayland Baxter and Andrew Combs. The two met while touring the U.K. with Nashville songstress Caitlin Rose, quickly bonding over their shared love for classic movie soundtrack composers like Ennio Morricone and ‘60s instrumental acts like Booker T. and the M.G.s, The Ventures and Pete Drake. Writing together between sound checks, the duo realized it was time for the sidemen to become frontmen, and Steelism was born.

The duo’s full-length debut 615 to FAME releases via Single Lock Records (founded by Ben Tanner of the Alabama Shakes, John Paul White of The Civil Wars and Will Trapp), with marketing and distribution from Thirty Tigers, on September 16, 2014. Half recorded at Muscle Shoals’ historic FAME Studios, where Wilson Pickett, Aretha Franklin and Otis Redding all tracked hits, 615 to FAME was produced by Fetzer and Cullum with co-production from Ben Tanner, and contributions from longtime Nashville-based collaborators Jon Radford (drums) and Michael Rinne (bass). Featuring 10 original instrumentals and one cover, 615 to FAME announces Steelism as one of Nashville’s most exciting new acts.


Los Colognes:

Aaron Mortenson and Jay Rutherford set out to make their debut Los Colognes album in the mold of the great JJ Cale records of the ‘70s. Working Together is parched desert country blues at its best—full of relationships gone south, one-liners that make you think twice, and slow-burning boogie woogie. After a name change and three years tightening their sound and soaking up the remaining strains of classic country music in Nashville, Los Colognes’ Working Together reflects the simple but straight-on lyricism of John Prine, the unhurried grooves of Cale, with a touch Mark Knopfler’s mid-‘80s Dire Straits polish. “Just stay on the train until you feel like you got enough,” explains Mort on the band’s recording studio philosophy. The duo would bring in different players on each session, then take the tapes home to work on them some more, blending in a “soupy, random quality,” says Jay. Though Working Together deals with the unraveling of one particular relationship, Los Colognes have distilled things here to their universal core. After a decades-long musical partnership—writing 500 shitty songs together, Mort jokes, and fully finding their sound—this is the good stuff.

Jan
10
Sat
Sam Smith @ Grand Ole Opry House
Jan 10 @ 8:00 PM – 11:00 PM

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Sam Smith (born 19 May 1992)[2] is an English singer-songwriter. He rose to fame in October 2012 when he was featured on Disclosure’s breakthrough single “Latch”, which peaked at number 11 on the UK Singles Chart. His subsequent feature—on Naughty Boy’s “La La La”—earned him his first number 1 single in May 2013.

In December 2013, he was nominated for the 2014 BRIT Critics’ Choice Award and the BBC’s Sound of 2014 poll,[3][4] both of which he won.[5][6] He released his debut studio album, In the Lonely Hour, in May 2014 on Capitol Records.[7] The lead single, “Lay Me Down”, was released prior to “La La La”. The second single was “Money on My Mind”.[8] The album’s third single “Stay with Me” was an international success, peaking atop both the UK Singles chart and the U.S. Billboard Pop Songs chart (along with the Adult Contemporary, Adult Pop Songs and Radio Songs charts); it also reached number 2 on the Billboard Hot 100 chart.

Jan
28
Wed
Jack White @ Bridgestone Arena
Jan 28 @ 7:30 PM – 11:00 PM

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Jack White performs his first hometown show of 2015 at Bridgestone Arena.  Lightning 100 has your hookup with an exclusive presale this Thursday at 10am.  Password is “lazaretto”.  Limited supply of tickets available.  General on sale starts on Friday at noon.

Jan
29
Thu
Roger Waters Presents Ça Ira @ Schermerhorn Symphony Center
Jan 29 @ 7:30 PM – 10:00 PM

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U.S. Premiere—Narrated Live by Roger Waters, and featuring the Nashville Symphony.

Rogers Waters, the creative force of Pink Floyd, presents Ça Ira, his classical opera set during the French Revolution. Ça Ira evokes the passion, faith and madness of a time that forever changed the world.  Featuring Waters’ spoken narration, this epic piece of music is scored for full orchestra, four solo voices, chorus and children’s chorus.

Jan
30
Fri
Roger Waters Presents Ça Ira @ Schermerhorn Symphony Center
Jan 30 @ 7:30 PM – 10:00 PM

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U.S. Premiere—Narrated Live by Roger Waters, and featuring the Nashville Symphony.

Rogers Waters, the creative force of Pink Floyd, presents Ça Ira, his classical opera set during the French Revolution. Ça Ira evokes the passion, faith and madness of a time that forever changed the world.  Featuring Waters’ spoken narration, this epic piece of music is scored for full orchestra, four solo voices, chorus and children’s chorus.

Feb
6
Fri
Lightning 100 Presents Cold War Kids with Elliot Moss @ Marathon Music Works
Feb 6 @ 8:00 PM – 11:30 PM
Cold War Kids

Cold War Kids

Los Angeles four-piece Cold War Kids elevate their passionate take on indie rock with their emotionally-raw fourth album Dear Miss Lonelyhearts.Formed in 2004, the band’s breakthrough debut Robbers & Cowards was released to considerable acclaim in 2006. The darker Loyalty To Loyalty followed two years later, and 2011’s Mine Is Yours introduced deeper anthemic qualities to the eclectic group’s catalog.

Dear Miss Lonelyhearts, which features the rollicking, energetic single “Miracle Mile,” is Cold War Kids’ first release with former Modest Mouse and Murder City Devils guitarist Dann Gallucci, who also handled its production alongside Lars Stalfors.

“We were shaken up, ready to let certain songs go further than before by trying new styles and arrangements, while keeping others sparse and caring more about the finished product and less about how we got there,” explains frontman Nathan Willet about the ten-track album, which was recorded at the band’s private studio in San Pedro, CA.

Elliot Moss
Elliot Moss is a 20-year-old multi-instrumentalist songwriter, producer, and visual artist from New York. The third generation in a family of musicians and artists, Elliot released his debut album ‘Highspeeds’ – all played, recorded, and mixed himself with the exception of a few friends.
Umphrey’s McGee @ Ryman Auditorium
Feb 6 @ 8:00 PM – 11:00 PM

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After 16 years of performing over 100 concerts annually, releasing seven studio albums and selling more than 3.3 million tracks online, Umphrey’s McGee might be forgiven if they chose to rest on their laurels and attend to their lives as husbands and fathers. But you’d be wrong. With their eighth studio album, Similar Skin, and first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group – which formed on the Notre Dame campus outside of South Bend, Indiana in 1997 – has something to prove. And that’s not just to their ever-loyal fan base, but to those who have never heard a note, or worse – dismiss them as “too sophisticated, too complex” or think they know what Umphrey’s McGee is all about.

More than an “improg” group, as some have dubbed them, Umphrey’s McGee have devoted their craft to making their devoted followers feel as if they are part of something larger, through fan-curated sets, which include the “Stew Art Series”.   Named after the Jimmy Stewart Ballroom, where they first recorded some of their improvisations, they offer fans a chance to text them during an exclusive private performance with not only song selections, but spontaneous ideas of how to perform them. The band has also developed the immersive home audio offering, “Headphones & Snowcones,” where the pristine sound of the live soundboard mix is piped wirelessly through high-end personal monitor systems and headphones, leading the Chicago Tribute to note: “I heard rock ‘n’ roll’s future, and its name is ‘Headphones & Snowcones.’” Umphrey’s McGee also makes all their live shows from 2006 available via their live music portal UMLive.net. And, every spring since 2010, the band has performed a special UMBowl show, announced on the day of the Super Bowl, which this year will take place outside Chicago for the first time this May at the Capitol Theatre in Port Chester, NY, in May. The idea is to divide the concert into four quarters, stringing together “All-Request,” “Stew Art,” “Choose Your Own Adventure” and “Raw Stewage” sets in rotating order each year. The UMBowl has a pilgrimage-worthy annual event for fans, and the press has taken notice. Wired said, “[UMBowl] gives Umphrey’s McGee a chance to show off its improvisatory skills…it brings the type of large-scale, smartphone powered interactive experience usually deployed in massive stadiums down to the club level.”

Feb
7
Sat
Trampled by Turtles @ Ryman Auditorium
Feb 7 @ 8:00 PM – 11:00 PM

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Trampled By Turtles formed in 2003 in Duluth, Minnesota. From their beginnings on the Midwestern festival circuit, they have reached new heights with each album.  The release of 2012’s Stars And Satellites saw the band play to more fans than ever, sell close to 100,000 albums, make their first national television appearance on The Late Show With David Letterman, and have their first concert feature, Live at First Avenue, broadcast on Palladia. This year will see the band headline Red Rocks Ampitheatre for the first time and the kickoff of their own festival, Festival Palomino, which will take place September 20, 2014 outside Minneapolis.  

Lead songwriter Dave Simonett has been especially affected by change over the last few years.  He relocated from Duluth to the city of Minneapolis.  “When I lived in Duluth, I think I took connection with uncivilized nature for granted. There, I had to drive 20 minutes and I was in the middle of nowhere, and I did this almost daily,” says Simonett.  “This was a very important ritual for me. Solitary time in a nearly untouched landscape is my version of church, so I think there is a bit of loss of religion in a lot of my work these days. I’ve always been a little obsessed with our struggle to stay connected to our simple animal side, the part of our nature that lived off the earth, hunted live game, worshipped trees and mountains. I believe a lot of sadness is caused by feeling disconnected with the rest of nature.  A lot of what is instinctual for us is beaten down and frowned upon in modern society.  It has to be confusing for the subconscious.”

Feb
17
Tue
Dr. John & The Nite Trippers – A Very Special Mardi Gras Show @ War Memorial Auditorium
Feb 17 @ 7:00 PM – 11:00 PM

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The legendary Dr. John is a six-time GRAMMY®Award-winning musician and Rock & Roll Hall of Fame inductee. Known throughout the world as the embodiment of New Orleans musical legacy, Dr. John is a true icon in American culture. His colorful musical career began in the 1950s when he wrote and played guitar on some of the greatest records to come out of the Crescent City, including recordings by Professor Longhair, Art& Neville, Joe Tex and Frankie Ford.

Dr. John headed west in the 1960s, where he continued to be in demand as a session musician, playing on records by Sonny and Cher, Van Morrison, Aretha Franklin and The Rolling Stones’ Exile On Main St. During that time he launched his solo career, developing the charismatic persona of Dr. John the Night Tripper. A legend was born with his breakthrough 1968 album Gris-Gris, which introduced to the world his unique blend of voodoo mysticism, funk, rhythm & blues, psychedelic rock and Creole roots. Several of his many career highlights include the masterful album Sun, Moon and Herbs in 1971 which included cameos from Eric Clapton and Mick Jagger and 1973’s In the Right Place, which contained the chart hits “Right Place Wrong Time” and “Such A Night.”

In addition to his six GRAMMY® wins (1989, 1992, 1996, 2000, 2008 and 2013), he has received six other GRAMMY® nominations over the years. In 2006, he was nominated for Sippiana Hericane, his Hurricane Katrina benefit disc. After Hurricane Katrina, Dr. John immediately stepped up to the plate with generous relief fund-raising concerts and recordings. In 2007, he was also inducted into the Louisiana Music Hall of Fame and the Blues Hall of Fame. In 2008, he released City That Care Forgot, winning a GRAMMY® for Best Contemporary Blues Album. His 2012 release Locked Down, with Dan Auerbach of The Black Keys also won a GRAMMY® for Best Contemporary Blues Album.

In 2013, Dr. John was awarded an honorary doctorate from Tulane University alongside His Holiness the Dalai Lama.

On August 19, 2014, Dr. John released Ske-Dat-De-Dat…The Spirit Of Satch on Concord Records, an album in tribute to another larger-than-life New Orleans legend: Louis “Satchmo” Armstrong. He honors Armstrong’s musical genius as well as his effervescent personality with 13 classic numbers drawn from various phases of the seminal trumpeter and vocalist’s five-decade career, with Dr. John joined by a stellar supporting cast, including Bonnie Raitt, Ledisi, the McCrary Sisters, Anthony Hamilton, Shemekia Copeland, the Blind Boys of Alabama, the Dirty Dozen Brass Band and trumpeters Nicholas Payton, Terence Blanchard, Arturo Sandoval, Wendell Brunious and James Andrews.

After a half century of creating music for others and himself, Dr. John continues to write, arrange, produce and interpret with a passion that has yet to wane.


Dr. John & The Nite Trippers will perform a very special Mardi Gras show on Fat Tuesday.

Feb
27
Fri
Kongos w/ Young Rising Sons @ Marathon Music Works
Feb 27 @ 7:00 PM – 11:00 PM

KONGOS is a rock band of four brothers – Johnny, Jesse, Dylan and Danny Kongos. Sons of British singer-songwriter John Kongos, they grew up in London and South Africa, and are now based in Phoenix, AZ.49-atmd

Feb
28
Sat
Lightning 100 Presents Drew Holcomb and The Neighbors @ Ryman Auditorium
Feb 28 @ 8:00 PM – 11:00 PM

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On Sale Friday, October 17 at 11 AM

 

Mar
18
Wed
Fleetwood Mac: On With the Show @ Bridgestone Arena
Mar 18 @ 8:00 PM – 11:00 PM

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Fleetwood Mac are a British-American rock band formed in 1967 in London. Due to numerous line-up changes, the only original member present in the band is its namesake, drummer Mick Fleetwood. Although band founder Peter Green named the group by combining the surnames of two of his former bandmates (Fleetwood, McVie) from John Mayall’s Bluesbreakers, bassist John McVie played neither on their first single nor at their first concerts, as he initially decided to stay with Mayall. The keyboardist, Christine McVie, who joined the band in 1970 while married to John McVie, appeared on all but the debut album, either as a member or as a session musician. She also supplied the artwork for the album Kiln House.

The two most successful periods for the band were during the late 1960s British blues boom, when they were led by guitarist Peter Green and achieved a UK number one with “Albatross”; and from 1975 to 1987, as a more pop-oriented act, featuring Christine McVie, Lindsey Buckingham and Stevie Nicks. Fleetwood Mac’s second album after the incorporation of Buckingham and Nicks, 1977’s Rumours, produced four U.S. Top 10 singles (including Nicks’ song “Dreams”), and remained at No.1 on the American albums chart for 31 weeks, as well as reaching the top spot in various countries around the world. To date the album has sold over 45 million copies worldwide, making it the sixth-highest-selling album of all time.

The band achieved more modest success in the intervening period between 1971 and 1974, when the line-up included Bob Welch, during the 1990s in between the departure and return of Nicks and Buckingham, and during the 2000s in between the departure and return of Christine McVie. In 1998, selected members of Fleetwood Mac were inducted into the Rock and Roll Hall of Fame, and received the Brit Award for Outstanding Contribution to Music. The band has sold more than 100 million albums worldwide, making them one of the best-selling bands of all time.[1] In 2014, Christine McVie rejoined the band.[2]

May
11
Mon
The Who @ Bridgestone Arena
May 11 @ 7:30 PM – 11:30 PM

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THE WHO, one of rock’s most legendary and defining bands, will celebrate their 50-year legacy when they bring their “THE WHO HITS 50!” tour to North America in 2015.

Set lists on these shows will take  their audience on an “Amazing Journey” through THE WHO’s entire career, from the band’s early days to classic albums including WHO’S NEXT, TOMMY, QUADROPHENIA, MY GENERATION and LIVE AT LEEDS, through the present day.

THE WHO have sold over 100 million records since forming in 1964; they brought together four different personalities and in effect produced a musical hurricane.  Each of them was a pioneer. Wildman drummer Keith Moon beat his kit with a chaotic elegance; stoic bassist John Entwistle held down the center with the melodic virtuosity of a solo guitarist; raging intellectual Pete Townshend punctuated the epic universality of his songs with the windmill slamming of his fingers across his guitar strings; and Roger Daltrey roared above it all with an impossibly virile macho swagger. They exploded conventional rhythm and blues structures, challenged pop music conventions, and redefined what was possible on stage, in the recording studio, and on vinyl. As they enter their 50th year, the band is still going strong, winning rave reviews for their performances of QUADROPHENIA in 2013.

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